Winner of this years Redlands Konica Minolta Art Prize

Gail Hastings and Adrian McDonald awarded 2018 Redlands Konica Minolta Art Prize

The judges for this year’s Redlands Konica Minolta Art Prize – Natasha Bullock (MCA Senior Curator), Judith Blackall (NAS Gallery Curator), Mark Harpley (Visual Arts Coordinator, Redlands School) and Fabian Byrne (Visual Arts Teacher, Redlands School) – announced the award at the opening of the exhibition of finalist works presented at the National Art School Gallery in Sydney.

Natasha Bullock said: “Gail Hastings’ work is playful and inventive, and distinguished by its aesthetic rigour. It is an exquisitely-made object, which questions the definition of minimalism, and the movement of everyday space.”

Mark Harpley, Head of Visual Arts at Redlands School, added: “Gail Hastings’ colour circle: four colour scheme for a room (2018) will be an important addition to the Redlands Collection. Hasting’s assiduous engagement and comprehensive investigations with art practice are reflected in this five-part work.  For teaching and learning, the work has an immediate reference to the colour wheel, a tool used by all art students. It allows them to undertake their own investigations into Hastings’ interpretation of space and the stories in a broader context.”

Gail Hastings has been working and exhibiting since 1989. Her rigorous and deeply-committed practice is informed by a complex spatial investigation from the 1960s that the artist and others believe has been miscalled ‘minimalism’. Her works, which she describes as ‘sculptural situations’, or ‘sculptuations’, call our attention to a real space made active through its co-extension with an aesthetic space of objects and form, with colour and text that engage the viewers’ imagination. Her ‘sculptuations’ are like ‘passages’ of thought that meander through rooms with walls, where we find ‘ourselves’ physically wandering, while wondering. The viewer’s ‘engagement’ becomes an unfolding plot that turns back on itself: her work is poetic, witty and always visually accomplished.