Redlands Konica Minolta Art Prize

The judges for this year’s Redlands Konica Minolta Art Prize – Natasha Bullock (MCA Senior Curator), Judith Blackall (NAS Gallery Curator), Mark Harpley (Visual Arts Coordinator, Redlands School) and Fabian Byrne (Visual Arts Teacher, Redlands School) – announced the award at the opening of the exhibition of finalist works presented at the National Art School… Continue reading Redlands Konica Minolta Art Prize

9 X 5 NOW Exhibition: ART150

9 X 5 NOW, at the Margaret Lawrence Gallery, Melbourne, 16–25 June, showcases generations of practicing artists who have studied or taught at the National Gallery School or VCA Art. The most experienced artist represented attended the National Gallery School in the 1940s, and the youngest completed studies at the Victorian College of the Arts… Continue reading 9 X 5 NOW Exhibition: ART150

Direct Democracy

Exhibition curatorial by Geraldine Barlow As Individuals we are capable, but so much more so when we act together. The collective body is a complex mechanism: a layering of systems, societies, generations, inheritances and innovations. Groups of human beings have developed numerous models to identify with each other, work together, build societies and exercise power.… Continue reading Direct Democracy

Less is More: Minimal and Post-Minimal Art in Australia [withdrawal]

01/09/2012 withdrawal of ABC art: red cube from the exhibition upon receiving the exhibition’s catalogue and reading the curatorial premise for the work’s inclusion, where I gave reasons for the withdrawal that include: [The curatorial essay mentions] my art (with reference to Floor plan: Empty, except) within the context of Robert Morris’ essay. Not only… Continue reading Less is More: Minimal and Post-Minimal Art in Australia [withdrawal]

Art from a Hundred Years 1909–2009: Highlights of the Daimler Art Collection

The third presentation of the Daimler Art Collection in South Germany (following the extensive survey at ZKM Karlsruhe 2003 and at the Galerie der Stadt Sindelfingen 2004) at Museum Prediger Schwäbisch Gmünd concentrates on Highlights from the Collection with around 100 works spanning nearly 10 decades – from Adolf Hölzel, the main teacher in the… Continue reading Art from a Hundred Years 1909–2009: Highlights of the Daimler Art Collection

Sculptural Situations: Gail Hastings

Exhibition 'Sculptural Situations' (2008) PICA - Gail Hastings

Perth born Hastings is a singular artist distinguished by the extraordinary focus of her practice. … Consistently describing her work as ‘a space made for others’ Hastings creates what she calls ‘invisible architectures’ that invite the viewer to enter a dialogue with what they observe. … As ‘the artist’ Hastings eschews a central position in her… Continue reading Sculptural Situations: Gail Hastings

Overheard Conversation: Sculptural Situations by Gail Hastings

Exhibition 'Overheard conversation' AGNSW 2007 - Gail Hastings

Hastings regards her works as ‘sculptural situations’ rather than as paintings or installations, or even sculptures. Rather than adhering to a pre-existing location, Hastings seeks to craft space—in particular, she seeks to craft an inter-subjective space, a social space of conversation and communication. This is at once a remarkably fraught, ambitious and fascinating enterprise. It… Continue reading Overheard Conversation: Sculptural Situations by Gail Hastings

In Conversation

This is the quandary bequeathed by minimalism, and Hastings presents this legacy precisely as a quandary. Again, the issue revolves around a hypothetical circuit of knowledge: who knows? Hastings candidly notes her own trepidation: “That this work of art I am looking at is not meant form me but for someone else more equipped …… Continue reading In Conversation

sculptural situation: plans

Moments of Mind : The Sweeney Reed CollectionSculptural Situation – Plans: Gail Hastings The two exhibitions in Heide 1 are a departure from the survey collection shows exhibited in the space to date. The juxtaposition of work by Sweeney Reed and practising Sydney artist Gail Hastings is the first in a planned series of projects… Continue reading sculptural situation: plans

Kunst Nach Kunst / Art After Art

Simple geometric patterns with a coloration [of] clearly defined contours characterize Gail Hastings’ work. The proximity to Minimal Art is unmistakable [as] a conceptual interface of her works. … The title, “To complete a work of contemporary art” (1997), already indicates a direct reference to an apparently ‘unfinished’ contemporary art. This reference must be formally seen… Continue reading Kunst Nach Kunst / Art After Art

mission: untitled (blue)

It used to be said of experimental art that it didn’t really need an audience to view it…. Experimentation for its own sake was to be sufficient …  Of course this was before — or despite — some people reckoning that the value of art was actually something produced in the exchange between artists and… Continue reading mission: untitled (blue)

art idea no. 8,582,048

Hastings takes up artistic idioms and presentational forms of conceptual art and charges them sensually. She combines conceptual strategies with the language and aesthetics of action-related, factual texts …  and stages these through the employment of a markedly material aesthetics. Her art opens up a dialogue on the origins, significance and function of ‘works’ and… Continue reading art idea no. 8,582,048

art idea no. 8,582,048

Hastings takes up artistic idioms and presentational forms of conceptual art and charges them sensually. She combines conceptual strategies with the language and aesthetics of action-related, factual texts …  and stages these through the employment of a markedly material aesthetics. Her art opens up a dialogue on the origins, significance and function of ‘works’ and… Continue reading art idea no. 8,582,048

Moët &​ Chandon Australian Art Foundation Touring Exhibition 1996

Established by Moët & Chandon in 1987, the Foundation comprises three elements, the Fellowship, the Touring Exhibition and the Art Acquisition Fund which have provided developing young artists in Australia with an innovative programme of support of real significance. Moët & Chandon’s long term commitment to the future of the visual arts in Australia is unique and… Continue reading Moët &​ Chandon Australian Art Foundation Touring Exhibition 1996