Most regard phenomenological space made popular in the 1960s as the only type of space introduced by Minimal art. Few are aware of an alternate self-determined space made by the art, itself, that is a concrete, material space. An account of this space is missing.
The six interviews of The Missing Space Project debate the cause of this oversight.
To describe what one sees is fundamental to being aware of what one sees. Without a vocabulary with which to describe material space one, effectively, cannot see it.
The Missing Space Project explores the potential development of a vocabulary with which to describe the differentiated space of art since its emergence in the early 1960s.
Interviews are with: Marianne Stockebrand, Egidio Marzona, Daniel Marzona, Gregor Stemmrich, Richard Shiff and Renate Wiehager.