The Pool

A different example of such temporal-spatial puzzles is found in Room for love 1990, which contains a conversational or ‘tête-à-tête’ chair, an S-shaped two-seater sofa, sometimes called a ‘love chair’. In such a chair, two people sit in close proximity facing in opposite directions, although they can also converse face-to-face. For Hastings, the analogy alludes …

Moët &​ Chandon Australian Art Foundation Touring Exhibition 1996

Established by Moët & Chandon in 1987, the Foundation comprises three elements, the Fellowship, the Touring Exhibition and the Art Acquisition Fund which have provided developing young artists in Australia with an innovative programme of support of real significance. Moët & Chandon’s long term commitment to the future of the visual arts in Australia is unique and …

Moët &​ Chandon Australian Art Foundation Touring Exhibition 1996

Established by Moët & Chandon in 1987, the Foundation comprises three elements, the Fellowship, the Touring Exhibition and the Art Acquisition Fund which have provided developing young artists in Australia with an innovative programme of support of real significance. Moët & Chandon’s long term commitment to the future of the visual arts in Australia is unique and …

Moët &​ Chandon Australian Art Foundation Touring Exhibition 1996

Established by Moët & Chandon in 1987, the Foundation comprises three elements, the Fellowship, the Touring Exhibition and the Art Acquisition Fund which have provided developing young artists in Australia with an innovative programme of support of real significance. Moët & Chandon’s long term commitment to the future of the visual arts in Australia is unique and …

Moët &​ Chandon Australian Art Foundation Touring Exhibition 1996

Established by Moët & Chandon in 1987, the Foundation comprises three elements, the Fellowship, the Touring Exhibition and the Art Acquisition Fund which have provided developing young artists in Australia with an innovative programme of support of real significance. Moët & Chandon’s long term commitment to the future of the visual arts in Australia is unique and …

Chairs

Store 5 exhibition No. 115

Australian Perspecta 1991

In Hastings’ work we are asked to reconcile two positions: that of having the privileged point of view over the site or plan of the work, and that of being made to feel over-sized and external to the three-dimensional Alice-in-Wonderland world before us.

Dis-location

A different example of such temporal-spatial puzzles is found in Room for love 1990, which contains a conversational or ‘tête-à-tête’ chair, an S-shaped two-seater sofa, sometimes called a ‘love chair’. In such a chair, two people sit in close proximity facing in opposite directions, although they can also converse face-to-face. For Hastings, the analogy alludes …

A3 20

The Store 5 index for this exhibition is ‘No. 31’. There are no images of ‘Before it all began’. The image, here, is a detail of Medium: Marked Cards, 1991, which is similar in nature. Medium: Marked Cards was printed as an artists’ page in Otis Rush, editor Ken Bolton, #6/7, Adelaide, 1991.