Close Quarters: Contemporary Art from Australia and New Zealand

	Exhibition
Date:	19/Aug/2000 to 15/Oct/2000
Curated by:	C. Barton, Z. Stanhope, C. Williamson
At:	Dunedin Public Art Gallery, Dunedin
Artists:	Lyell Bary, L. Budd et al., Destiny Deacon, Tony de Latour, eX de Medici, Mikala Dwyer, Simryn Gill, Eugene Hansen, Michael Harrison, Gail Hastings, Sean Kerr, Danius Kesminas, Ani O’Neil, Natalie Robertson, Marie Shannon, Terry Urbahn, H.J. Wedge, Constanze Zikos
List of Works:	difficult art decisions: walls four and five coincidence at 5:51 pm
Bibliography:	Christina Barton, Zara Stanhope, Clare Williamson, ‘Speaking of Strange Bedfellows’, Close Quarters: Contemporary Art from Australia and New Zealand, exhibition catalogue, Monash University Museum of Art and Australian Centre for Contemporary Art, Melbourne 1998, pp.8, 24.
	Dunedin Public Art Gallery 30 the Octagon Dunedin 9016 New Zealand
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Index:	1989 Gail Hastings Installation 1989 / Fergus Armstrong Photograph 1989, Store 5, MelbourneSuzannah Barta, Sandra Bridie, Lyndell Brown, Gail Hastings, Store 5, MelbourneA3 20, Store 5, MelbourneThis Performance — A Passing Thought, Gertrude Contemporary, MelbourneS.W.I.M. Fund Raiser, Linden Centre for Contemporary Arts, MelbourneOther Photography #2, Store 5, Melbourne 1990 Exultate Jubilate, Store 5, MelbourneRoom for Love, Store 5, MelbourneUses of Chaos, Gertrude Contemporary, Melbourne4th Australian Sculpture Triennial Forum, Melbourne Lower Town Hall, MelbourneDis-location, RMIT Gallery, MelbourneDrawings, Store 5, MelbourneFloor Plan: Empty, except, Gertrude Contemporary, MelbourneLoaded, 13 Verity Street, Melbourne 1991 Melinda Harper, Gail Hastings, Gary Wilson, Constanze Zikos, FirstDraft Gallery, SydneySome examples of different ways, Store 5, MelbourneNo, just an empty square, Store 5, MelbourneProduction, Institute of Modern Art, BrisbaneAustralian Perspecta 1991, Art Gallery of New South Wales, SydneyGail Hastings & Elizabeth Newman, Roslyn Oxley9 Gallery, Sydney 1992 Chairs, Store 5, Melbournework by Gail Hastings, Mathew Jones, Anne McDonald, Scott Redford, Black, SydneyPrimavera: The Belinda Jackson Exhibition of Young Artists, Museum of Contemporary Art, SydneyThe Angelic Space: A Celebration of Piero Della Francesca, Monash University Museum of Art, MelbourneOctopus, University of South Australia, AdelaideAbove the Lake – Below the Sky, Benalla Art Gallery, Benalla 1993 Temporal, Anna Schwartz Gallery, Melbournespatial probabilities 1993: Watercolours by Gail Hastings, Anna Schwartz Gallery, MelbourneBelles-lettres, Australian Centre for Contemporary Art, Melbourne 1994 well actually, Anna Schwartz Gallery, MelbourneRoom 32, Room 32, SydneyDrawn Lines, Institute of Modern Art, Brisbane 1995 rule c: Remember, the aesthetic outcome of this exercise is purely due to chance and circumstance. It bears no reflection on you, personally., David Pestorius Gallery, BrisbaneIn the Company of Women: 100 Years of Australian Women’s Art from the Cruthers Collection, Perth Institute of Contemporary Art, Perthplease nota bene the other rules on the following page, David Pestorius Gallery, BrisbaneTo make a work of thoughtful art, Ausstellungsraum Thomas Taubert, Düsseldorf 1996 Lovers, Heidi Museum of Modern Art, MelbourneMoët & Chandon Australian Art Foundation Touring Exhibition 1996, National Gallery of Victoria, MelbourneTo make a work of timeless art, Artspace, SydneyRoad to Love, Sarah Cottier Gallery, SydneyMoët & Chandon Australian Art Foundation Touring Exhibition 1996, National Gallery of Victoria, Brisbaneout of time: part two, David Pestorius Gallery, BrisbaneArt 1996 Chicago, David Pestorius Gallery, ChicagoMoët & Chandon Australian Art Foundation Touring Exhibition 1996, Art Gallery of South Australia, AdelaideReservoir, Lake Macquarie City Art Gallery, Lake MacquarieMoët & Chandon Australian Art Foundation Touring Exhibition 1996, Art Gallery of New South Wales, SydneyThe Pool, Centenary Pools, BrisbaneTo make a work of timeless art, Experimental Art Foundation, AdelaideTo make a work of timeless art, David Pestorius Gallery, Brisbane 1997 Wall as Medium?, David Pestorius Gallery, Brisbanefour coincidences, Anna Schwartz Gallery, MelbourneDuality: a series of weekly exhibitions during April 1997, David Pestorius Gallery, BrisbaneArt 1997 Chicago, David Pestorius Gallery, Chicagotwo corners and a cube, Galerie Köstring/Maier, MünchenOn Dialogue, Haus am Waldsee, Berlintwo and three stares, Galerie Mark Müller, ZurichStatements Art 28‘97 Basel, David Pestorius Gallery, Baselforgotten encyclopaedias, 24 Church Street, Fortitude Valley, BrisbaneArt Forum Berlin 1997, David Pestorius Gallery, BerlinTo complete a work of contemporary art, Ausstellungsraum Thomas Taubert, Düsseldorf 1998 All This And Heaven Too: 1998 Adelaide Biennial of Australian Art, Art Gallery of South Australia, AdelaideUntitled discussions, Anthony Meier Fine Arts, San Franciscoart opinion no. 636, David Pestorius Gallery, BrisbaneMoët & Chandon Australian Art Foundation Touring Exhibition 1998, National Gallery of Australia, CanberraMoët & Chandon Australian Art Foundation Touring Exhibition 1998, National Gallery of Victoria, MelbourneMoët & Chandon Australian Art Foundation Touring Exhibition 1998, Art Gallery of New South Wales, SydneyMoët & Chandon Australian Art Foundation Touring Exhibition 1998, Queensland Art Gallery, BrisbaneThe Infinite Space: Women, Minimalism and the Sculptural Object, The Ian Potter Museum of Art, MelbourneLadies & Gentlemen, Someone else's studio, BrisbaneStrolling – the art of arcades, boulevards, barricades, publicity, Heidi Museum of Modern Art, MelbourneClose Quarters: Contemporary Art from Australia and New Zealand, Australian Centre for Contemporary Art, Melbourneart idea no. 8,582,048, Bahnwärterhaus, Esslingen 1999 art idea no. 8,582,048, Bahnwärterhaus, EsslingenClose Quarters: Contemporary Art from Australia and New Zealand, Institute of Modern Art, Brisbaneart idea no. 8,582,048, Künstlerhaus Bethanien, Berlinprojections, David Pestorius Gallery, Berlinapparently not, David Pestorius Gallery, BerlinI views, Canberra Contemporary Art Space, CanberraClose Quarters: Contemporary Art from Australia and New Zealand, ANU School of Art Gallery, CanberraThe Space Here Is Everywhere: Art with Architecture, Villa Merkel/Bahwärterhaus, EsslingenSpace Affects: the art and architecture of James Birrell and Gail Hastings, Metro Arts, BrisbaneOpen House, Pestorius Sweeney House, BrisbaneSorry, we are closed, UQ Art Museum, BrisbaneClose Quarters: Contemporary Art from Australia and New Zealand, Govett-Brewster Art Gallery, New PlymouthClose Quarters: Contemporary Art from Australia and New Zealand, Auckland Art Gallery Toi o Tāmaki, Aukland 2000 Passing Time: Moët & Chandon Exhibition 2000, Art Gallery of New South Wales, SydneyGail Hastings: Sculptural Situation 1989–2000, Goddard de Fiddes, PerthClose Quarters: Contemporary Art from Australia and New Zealand, Dunedin Public Art Gallery, DunedinMonochromes, UQ Art Museum, Brisbane 2001 mission: untitled (blue), Australian Centre for Contemporary Art, MelbourneGail Hastings: multiples, books, prints, editions, etc., Pestorius Sweeney House, BrisbaneOctober 2001 / Geometrical Affairs, Daimler Contemporary, Berlin 2002 Kunst Nach Kunst / Art After Art, Neues Museum Weserburg Bremen, Bremen 2003 plans, Heidi Museum of Modern Art, MelbourneIn Conversation, UQ Art Museum, BrisbaneThe Daimler Art Collection at the Museum für Neue Kunst \| ZKM Karlsruhe, Museum für Neue Kunst \| ZKM Karlsruhe, KarlsruheHothouse: The flower in contemporary art, Monash University Museum of Art, MelbournePrivate/Corporate II, Daimler Contemporary, BerlinBut is it art?, The Cross Art Projects, Sydney 2005 Store 5 is … ?, Anna Schwartz Gallery, MelbournePitch Your Own Tent: Art Projects / Store 5 / 1st Floor, Monash University Museum of Art, Melbourne 2007 Overheard Conversation: Sculptural Situations by Gail Hastings, Art Gallery of New South Wales, Sydney 2008 Sculptural Situations: Gail Hastings, Perth Institute of Contemporary Art, PerthTo make a work of timeless art: MCA Primavera Acquisitions, Museum of Contemporary Art, Sydney 2009 Faith and Lust: Various Approaches to Formalist Abstraction, Flinders Street Gallery, SydneyArt from a Hundred Years 1909–2009: Highlights of the Daimler Art Collection, Museum und Galerie im Prediger, Schwäbisch Gmünd 2010 Leave the line standing, St Canice's Annex, SydneyTaint, FirstDraft Gallery, SydneyMinimalism And Applied II: Dialogues of contemporary art with aspects of 20th century design and architecture, Daimler Contemporary, Berlin 2011 Encounter: Stephen Sinn, Gail Hastings Exhibition Studio, SydneySpace you can’t sit on: The space in Today, Gail Hastings Exhibition Studio, Sydney 2012 Less is More: Minimal and Post-Minimal Art in Australia [withdrawal], Heidi Museum of Modern Art, Melbourne[space holder], Gail Hastings Exhibition Studio, SydneyNotes towards contemporary post-minimalism [withdrawal], Heidi Museum of Modern Art, 2013 Direct Democracy, Monash University Museum of Art, MelbourneJANIS II, The Commercial, SydneySydney Contemporary 13, The Commercial, Sydney 2014 OUI we, The Commercial, Sydney20/200, Sarah Cottier Gallery, SydneyExhibition: To Do, The Commercial, SydneyMissing: four sculptuations by Gail Hastings, iBooks, 51 CountriesMelbourne Art Fair, The Commercial, MelbourneTaking it all away: MCA collection, Museum of Contemporary Art, Sydney 2015 Taking it all away: MCA collection, Museum of Contemporary Art, SydneyA Few Pieces, Taubert Contemporary, BerlinThe Missing Space Project: Six Interviews, iBooks, in 51 countries