| Exhibition | |
| Date: | 19/Aug/2000 to 15/Oct/2000 |
| At: | Dunedin Public Art Gallery, Dunedin |
| Artists: |
Lyell Bary, L. Budd et al., Destiny Deacon, Tony de Latour, eX de Medici, Mikala Dwyer, Simryn Gill, Eugene Hansen, Michael Harrison, Gail Hastings, Sean Kerr, Danius Kesminas, Ani O’Neil, Natalie Robertson, Marie Shannon, Terry Urbahn, H.J. Wedge, Constanze Zikos |
| List of Works: |
by Gail Hastings difficult art decisions: walls four and five coincidence at 5:51 pm |
| Bibliography: | Christina Barton, Zara Stanhope, Clare Williamson, ‘Speaking of Strange Bedfellows’, Close Quarters: Contemporary Art from Australia and New Zealand, exhibition catalogue, Monash University Museum of Art and Australian Centre for Contemporary Art, Melbourne 1998, pp.8, 24. |
|
Dunedin Public Art Gallery 30 the Octagon |
|
Gail Hastings Installation 1989 / Fergus Armstrong Photograph 1989, Store 5, Melbourne
Suzannah Barta, Sandra Bridie, Lyndell Brown, Gail Hastings, Store 5, Melbourne
This Performance — A Passing Thought, Gertrude Contemporary, Melbourne
S.W.I.M. Fund Raiser, Linden Centre for Contemporary Arts, Melbourne
Melinda Harper, Gail Hastings, Gary Wilson, Constanze Zikos, FirstDraft Gallery, Sydney
Some examples of different ways, Store 5, Melbourne
No, just an empty square, Store 5, Melbourne
Production, Institute of Modern Art, Brisbane
Australian Perspecta 1991, Art Gallery of New South Wales, Sydney
Gail Hastings & Elizabeth Newman, Roslyn Oxley9 Gallery, Sydney
Lovers, Heidi Museum of Modern Art, Melbourne
To make a work of timeless art, Artspace, Sydney
Road to Love, Sarah Cottier Gallery, Sydney
out of time: part two, David Pestorius Gallery, Brisbane
Art 1996 Chicago, David Pestorius Gallery, Chicago
Reservoir, Lake Macquarie City Art Gallery, Lake Macquarie
The Pool, Centenary Pools, Brisbane
To make a work of timeless art, Experimental Art Foundation, Adelaide
To make a work of timeless art, David Pestorius Gallery, Brisbane
Wall as Medium?, David Pestorius Gallery, Brisbane
four coincidences, Anna Schwartz Gallery, Melbourne
Duality: a series of weekly exhibitions during April 1997, David Pestorius Gallery, Brisbane
Art 1997 Chicago, David Pestorius Gallery, Chicago
two corners and a cube, Galerie Köstring/Maier, München
On Dialogue, Haus am Waldsee, Berlin
two and three stares, Galerie Mark Müller, Zurich
Statements Art 28‘97 Basel, David Pestorius Gallery, Basel
forgotten encyclopaedias, 24 Church Street, Fortitude Valley, Brisbane
Art Forum Berlin 1997, David Pestorius Gallery, Berlin
To complete a work of contemporary art, Ausstellungsraum Thomas Taubert, Düsseldorf
art idea no. 8,582,048, Bahnwärterhaus, Esslingen
Close Quarters: Contemporary Art from Australia and New Zealand, Institute of Modern Art, Brisbane
art idea no. 8,582,048, Künstlerhaus Bethanien, Berlin
projections, David Pestorius Gallery, Berlin
apparently not, David Pestorius Gallery, Berlin
I views, Canberra Contemporary Art Space, Canberra
Close Quarters: Contemporary Art from Australia and New Zealand, ANU School of Art Gallery, Canberra
The Space Here Is Everywhere: Art with Architecture, Villa Merkel/Bahwärterhaus, Esslingen
Space Affects: the art and architecture of James Birrell and Gail Hastings, Metro Arts, Brisbane
Open House, Pestorius Sweeney House, Brisbane
OUI we, The Commercial, Sydney
20/20, Sarah Cottier Gallery, Sydney
Exhibition: To Do, The Commercial, Sydney
Missing: four sculptuations by Gail Hastings, Apple Books, Available in 51 countries
Melbourne Art Fair, The Commercial, Melbourne
Taking it all away: MCA collection, Museum of Contemporary Art, Sydney