Gail Hastings' Studio
Eildon Rd
St Kilda VIC 3182
Australia

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Gail Hastings makes sculptuations (sculptural situations).

Material space constitutes a sculptuation. It is a type of space artists, such as Donald Judd, developed in the early 1960s.

It is a built space, a space put together with hammer and nails. It is not the found space of a room that automatically surrounds us. It is space to look at, not through. It is a space that gets us, no matter how little we get it.

A part of art, now, for over fifty years, only a few words have been tasked to describe it—leaving much, still, to understand.

Notwithstanding, as the focus of Gail’s practice for over twenty-five years, the uncharted hold of this space remains unrelenting and propelling.

To contact Gail Hastings, please use the contact form at the top right of this page.

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A Moment’s Evidence: a spatial probability edition 1993

Year: 1993

Ontology: standalone

Medium: watercolour and lead pencil on paper,

HxWxD cm: 190h x 140w mm each

Components: 7

Collection: Public collection: University Art Museum, Brisbane, 2001

Encyclopaedia of a Moment’s Evidence

[7 pages]

[title page], [List of Illustrations], [5], [5], [5], [5] & [5]

Components (please login)

Qty	ID	Medium	HxWxD cm
1-7	watercolour floorpans	watercolour and lead pencil on paper	190h x 140w mm unframed

Exhibitions & Bibliography

Exhibitions

04/04/2003

In Conversation, UQ Art Museum (cur. David Pestorius), Brisbane

01/07/1993

spatial probabilities 1993: Watercolours by Gail Hastings, Anna Schwartz Gallery, Melbourne

Bibliography

Andrew McNamara, ‘Hall of mirrors: where to the artwork?’, in David Pestorius (ed.), In Conversation, exhibition catalogue, University Art Museum, Brisbane 2003, pp.40–3.

Artworks available to collect

Available artworks