| Year: 1993 |
| Ontology: standalone |
|
Medium: watercolour and lead pencil on paper |
| HxWxD cm: unframed, 275 x 379 mm each |
| Components: 5 |
| Collection: Public collection: Museum of Contemporary Art, Sydney, 1993 |
flower power 1960s/1990s
[floorplan:] flower power 1960s/1990s
scale: one as to many
| Qty | ID | Medium | HxWxD cm |
|---|---|---|---|
| 1-5 | floorpan | watercolour and lead pencil on paper |
275 x 379 mm |
Exhibitions
| 12/11/2008 | To make a work of timeless art: MCA Primavera Acquisitions, Museum of Contemporary Art (cur. Isabel Hesketh and Clare Lewis), Sydney |
| 06/06/2003 | Hothouse: The flower in contemporary art, Monash University Museum of Art (cur. Zara Stanhope), Melbourne |
| 01/07/1993 | spatial probabilities 1993: Watercolours by Gail Hastings, Anna Schwartz Gallery, Melbourne |
Bibliography
Sue Cramer, MCA Collection: 1994 Selection, exhibition catalogue, Museum of Contemporary Art, Sydney 1994.Ben Curnow, ‘objects + ideas: revisiting minimalism’, MCA Collection: 1997 Selection, exhibition catalogue, Museum of Contemporary Art, Sydney 1997.
Isabel Finch, Clare Lewis, ‘Gail Hastings’, To make a work of timeless art: MCA Primavera Acquisitions, exhibition catalogue, Museum of Contemporary Art, Sydney 2008.
John McDonald, ‘Trash or treasure’, The Sydney Morning Herald, 17 January 2009, http://www.smh.com.au/news/entertainment/arts/primavera-acquisitions-a-portrait-of-decadence/2009/01/16/1231608949070.html/, accessed 30 October 2016.
Zara Stanhope, Hothouse: The flower in contemporary art, exhibition catalogue, Monash University Museum of Art, Melbourne 2003, p.6.
![Event: [space holder] - image: ABC art: blue cube, 2008, Gail Hastings](https://gailhastings.com.au/wp-content/uploads/2012/05/space-holder-200x200.png)
