Art Journal Vol. 77, no. 3 Fall 2018

Sarah Hamill Surface Matters: Erin Shirreff ’s Videos and the Photography of Sculpture

Mara Pogolvsky Ezcurra Beyond Evil: Politics, Ethics, and Religion in León Ferrari’s Illustrated Nunca más

Gail Hastings The Power of Inclusion in Donald Judd’s Art: Observations by an Artist

Gail Hastings Artist’s Project: Space Practising Tools

Samantha A. Noel Envisioning New Worlds: The “Tropical Aesthetics” in the Art of Wifredo Lam and Aaron Douglas

Emily Kathryn Morgan Harry Callahan’s Pornographic Appropriations


Terry Smith on Caroline A. Jones, The Global Work of Art:World’s Fairs, Biennials, and the Aesthetics of Experience, and Charles Green and Anthony Gardner, Biennials,Triennials,
and Documenta:The Exhibitions That Created Contemporary Art; Ara H. Merjian on Jaleh Mansoor, Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia; and Stephanie Sparling Williams on Uri McMillan, Embodied Avatars: Genealogies of Black Feminist Art and Performance, and Malik Gaines, Black Performance on the Outskirts of the Left: A History of the Impossible

Single copies purchased here