So she said 2007
Enamel on plywood; acrylic on linen and canvas; framed watercolour and lead pencil on paper
180h x 220w x 220d cm overall
Collection: Art Gallery of New South Wales, Sydney (2007)
Enamel on plywood; acrylic on linen and canvas; framed watercolour and lead pencil on paper
180h x 220w x 220d cm overall
Collection: Art Gallery of New South Wales, Sydney (2007)
U P C O M I N G
Art Journal, Fall issue, early October, 2018.
Single copies purchased here
Edited by art historian Rebecca M. Brown, this issue features:
| Sarah Hamill | Surface Matters: Erin Shirreff ’s Videos and the Photography of Sculpture; |
| Mara Pogolvsky Ezcurra | Beyond Evil: Politics, Ethics, and Religion in León Ferrari’s Illustrated Nunca más; |
| Gail Hastings | The Power of Inclusion in Donald Judd’s Art: Observations by an Artist; |
| Gail Hastings | Artist's Project: Space Practising Tools; |
| Samantha A. Noel | Envisioning New Worlds: The “Tropical Aesthetics” in the Art of
Wifredo Lam and Aaron Douglas; and |
| Emily Kathryn Morgan | Harry Callahan’s Pornographic Appropriations. |
| And reviews on: | Caroline A. Jones by Terry Smith; Biennials, Triennials, and Documenta by Charles Green and Anthony Gardner; Jaleh Mansoor by Ara H. Merjian; Uri McMillan by Stephanie Sparling Williams; and Black Performance on the Outskirts of the Left by Malik Gaines. |
| Cover by Gail Hastings | |
Art Journal was founded in 1941 with a mission 'to:
- provide a forum for scholarship and visual exploration in the visual arts;
- be a unique voice in the field as a peer-reviewed, professionally mediated forum for the arts;
- operate in the spaces between commercial publishing, academic presses, and artist presses;
- be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels;
- explore relationships among diverse forms of art practice and production, as well as among art making, art history, visual studies, theory, and criticism;
- give voice and publication opportunity to artists, art historians, and other writers in the arts;
- be responsive to issues of the moment in the arts, both nationally and globally;
- focus on topics related to twentieth- and twenty-first-century concerns;
- promote dialogue and debate’.
Single copies purchased here
Or, if in the US, call toll-free at 800-354-1420
- provide a forum for scholarship and visual exploration in the visual arts;
- be a unique voice in the field as a peer-reviewed, professionally mediated forum for the arts;
- operate in the spaces between commercial publishing, academic presses, and artist presses;
- be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels;
- explore relationships among diverse forms of art practice and production, as well as among art making, art history, visual studies, theory, and criticism;
- give voice and publication opportunity to artists, art historians, and other writers in the arts;
- be responsive to issues of the moment in the arts, both nationally and globally;
- focus on topics related to twentieth- and twenty-first-century concerns;
- promote dialogue and debate’.
Single copies purchased here
Or, if in the US, call toll-free at 800-354-1420
The Missing Space Project
Six Interviews
| Released: 14 October 2015 |
|
Introduction: David Raskin; Interviewed: Marianne Stockebrand, Egidio Marzona, Daniel Marzona, Gregor Stemmrich, Richard Shiff, Renate Wiehager; Background essay: Gail Hastings |
| or find out more ... |